![]() ![]() 20 and tickets for remaining stops can be purchased here. Get your copy of 'Omens' here and follow Lamb of God on Instagram, Facebook, Twitter and Spotify. I hope we don't have to do it again, but I do enjoy that we were able to rise to that challenge and still keep the ball rolling out there on the road. It was really challenging for us as a band and a little scary. But the response to having those other guys hop in and keep the show rolling was a really great and very compassionate reaction to the way we navigated that. I don't like the reason he missed the shows and I hope we didn't disappoint too many fans by him not being there. I can say now that it was fun because the challenge of it all was fun. ![]() ![]() When Randy had to miss some shows, that was unexpected. We've known him for decades, so he kind of slides right in and knows the stuff. We've had Phil Demmel and he is legendary guitar player and big name in the metal world in his own right and super pro. Typically, we have the opportunity to work those things out. You learn how much you're used to playing with each other because when you bring someone else in, there's inevitably tiny changes in the way they feel things or hear things that, as players, we feel and hear and onstage. What do you learn about band dynamics when people are absent? Lamb of God, "Nevermore" Music Videoĭuring a recent run of shows, it was necessary for various people to fill in for Randy and John Campbell. It was just a really different kind of process for us in a really cool environment for us to engage that process in. We recorded it with everyone live in the room together, which is not really how records are done that often anymore. The real story around this record, for me, is so different. The setting you're in when you're recording really makes a difference because there's something about the vibe in the room and there was a lot of vibe in these sessions. The vibe of being in a place that has that history and that kind of track record of great creative energy around it makes a difference. There's just so much history there and we were there for a month, pretty much every day. Even before that, it was Charlie Chaplain's production facility back in. We've worked in a bunch of great studios and facilities that are fantastic for vibe and that kind of thing. What makes the history of a studio palpable and how does it encourage your own recording sessions? Omens was recorded in Los Angeles at Henson Recording Studios, which used to be A&M Studios. I don't want to speak too much for Randy's quote on the themes on the record and how pissed off they are, but I I think some of it is rooted in those things. It can feel a little bit chaotic if you let it. In there's a lot of heightened emotions around politics and it feels like a time of turmoil. I think that the last couple years have been hard for everyone with all of the Covid restrictions and people having to change their routines - people affected by the virus and everything that had happened around it. What makes Omens even more angry and volatile than any other Lamb of God album? Randy has described the new record as an extremely pissed off record. It was "scary" in the moment, says Morton, but the challenge was something he now feels was a "fun" one and he's proud that they managed to power through such difficulty. On the road, Lamb of God have faced new tests as well, utilizing fill-in musicians in both planned and emergency situations. Tracking live with everyone in the studio was also a fresh way of doing things, which helped generate more creative energy as well. In recording this one, the band entered a legendary studio and Morton says the vibes and energy from the room translated in their work. ![]()
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